In Jill's first session we looked at the magic if, this is
quite a simple concept of questioning if something happens to my character how
would I react? We were placed into groups of three and given the scenario of
being robbed in our home. I worked with Andrew and Danielle, Andrew was the
robber and Danielle was my daughter, I was asked if you were robbed how would
you react? We firstly didn't do too well as Andrew wasn't comfortable in
performing this, but the second time we gave it a go we all really got into it
to begin the improvisation but some of us got too into it and it got out of
hand. This was a good example of how quickly a piece can move from realistic
and truthful to theatrical and unbelievable within a second. We did this
exercise to work our imagination through improvisation and to experience the
sensation of becoming a character and reacting truly and honestly to a
situation. After this session I have started to use the magic if when
approaching my character, especially in the last monologue, originally I
performed it quite neutrally with a lack of emotion but then I asked myself:
how would you feel if you lost a child? How would you feel if you separated
from someone who you had left your whole privileged life behind for? Would you
feel resentment towards Jimmy for not caring for you and the child? Or fighting
for your relationship? All of these questions came up in my head allowing me to
become more emotionally connected to my character and portray this through
facial expression and producing a swell of tears in my eyes.
This is good evidence of the way that the developmental workshops led directly to creative decisions about the scene and your character. You made some good creative decisions as a result of this simple technique.
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